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sexta-feira, 7 de agosto de 2015

Art Dubai

 
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A.i.R DUBAI OPEN CALL
UAE-based artists are invited to apply now for ‪A.i.R Dubai, the residency programme run by ‪Art Dubai, Delfina Foundation, Dubai Culture & Arts Authority and Tashkeel. Successful applicants will be in-residence with local and international artists; have the opportunity to work closely with international curators; and produce a major new work for ‪Art Dubai Projects, the not-for-profit programme of commissions and site-specific works produced for the fair each year.
A.i.R Dubai also features an opportunity for an upcoming Emirati curator to apply for a curatorial position, working alongside the international curator and helping to curate and produce the artists’ works, the residency, public programmes and associated publications.
More information and applications here.

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PUBLICATIONS
The full selection of Art Dubai 2014-15 publications -- including commissioned artists’ books, catalogues and other thematic guides -- are now available to be read and as downloads on the Art Dubai website. Bilingual (English/Arabic) publications include book of doubt, produced as part of the 2015 A.i.R Dubai residency programme, and Marker: Latin America, a comprehensive guide to the curated programme.
See the full selection of Art Dubai 2015 publications here.
ArtDubai
PROJECTS CURATOR 2016
Algiers- and London-based curator and writer Yasmina Reggad has been selected to lead the commissions and residency programmes for Art Dubai 2016. Yasmina previously participated in Art Dubai as a curatorial Forum Fellow (2014), and is currently programme curator at aria (artist residency in algiers). Recent London projects include exhibitions at Delfina Foundation and The Mosaic Rooms, and ‘We Can’t Be There: Emergency Provisions for (un)Anticipated Futures’, at the Institute of Contemporary Arts and Tate Modern, in partnership with Goldsmiths University.
Art Dubai Projects supports artists’ practices, and encourages audiences to embrace the quizzical and participatory nature of the fair. In her role at Art Dubai, Yasmina will contribute to the selection of artists for the residency, projects and commissions programmes, and will work closely with the artists to develop and produce their site-specific works.
More information here.
ArtDubai
RADIO
This year’s Art Dubai Radio was programmed by Campus Art Dubai Core’s class of 2014-15. UAE-based artists, writers, researchers, curators and architects worked with the Core class themes of slowness and the construction of heritage, set by lead tutors Uzma Z. Rizvi and Murtaza Vali; each participant contributed to the Radio programme through a range of interviews, readings, mixtapes, performances, and unique sound works.
Listen to the radio programmes as podcasts here.
Campus Art Dubai is held in partnership with the Dubai Culture & Arts Authority and is supported by Dubai Design District (d3).

 

THIS WEEKEND AT DOVER STREET MARKET










MoMA HONORS ROBERT ZEMECKIS WITH MAJOR CAREER RETROSPECTIVE


Back to the Future (1985)
Directed by Robert Zemeckis
Shown from left: Christopher Lloyd (as Dr. Emmett Brown), Michael J. Fox (as Marty McFly)

What Lies Beneath: The Films of Robert Zemeckis

September 29, 2015–October 18, 2015

Posted on July 29, 2015

The Roy and Niuta Titus Theaters

Robert Zemeckis, creator of some of the most iconic films of the last 40 years, including Romancing the Stone (1984), Back to the Future (1985), Forrest Gump (1994), and Cast Away (2000), will be honored with a major career retrospective at The Museum of Modern Art from September 29 through October 18, 2015. Opening on September 29 with a special screening of Zemeckis’ latest film, The Walk (2015), the retrospective will include all of Zemeckis’ feature films as well as a selection of his television work and student films. Zemeckis will participate in a post-screening Q&A on September 29 following the screening of The Walk, the PG-rated, all-audience 3D motion picture experience that retells Philippe Petit’s high wire walk between the World Trade Center towers. On October 3, MoMA will celebrate the 30th anniversary of the release of Back to the Future by screening all three Back to the Future films in succession, just in advance of October 21, 2015, the date that Marty McFly travels to the future in Back to the Future II (1989).
Commenting on the announcement, Zemeckis said, “I am thrilled to be receiving this tremendous honor from MoMA.  It’s hard to believe that I’ve been making films for more than 30 years, leading up to now with ‘The Walk.’  I feel extraordinarily thankful that I have had the opportunity to make these films, and to have the chance to see them all, in a great theater, where audiences can enjoy them, is very gratifying.”
A profoundly personal filmmaker, Zemeckis is one of the last of the generation of American studio directors who were instinctively able to combine popular appeal and individual expression, with no sense of compromise or condescension. Beneath the cheerful, lively surfaces of his films lies a consistent focus on the isolation of the individual in modern society, a pervasive loneliness that is sometimes a choice (Contact, 1997), sometimes an accident (Cast Away, 2000), and sometimes a consequence of character (Flight, 2012). His sense of America as a playground full of bright, cheap, ultimately disappointing toys (Back to the Future), businessmen indistinguishable from confidence hucksters (Used Cars, 1980), and a land ruled not so much by opportunity and ambition, but by blind luck and empty optimism (Forrest Gump) offers a darkly satirical vision in the guise of folk wisdom. Within American letters his closest relative is probably Mark Twain—and like Twain, Zemeckis has given us one of the great allegories of race relations in this country, Who Framed Roger Rabbit (1988), with its themes of segregation, suppression, and the projection of forbidden desires.
Beginning with Back to the Future and Who Framed Roger Rabbit, Zemeckis has also been a major force for technological change in American moviemaking. Moving from complex optical effects to a full embrace of digital technology, Zemeckis has literally altered the dimensions of American movies. His 2004 film The Polar Express (2004) pioneered motion capture technology and launched the modern, digital 3-D format, and he has continued to work with subtly altered digital images in live action films such as Flight.
What Lies Beneath: The Films of Robert Zemeckis is organized by Dave Kehr, Adjunct Curator, Department of Film, MoMA.

Get Red Hot This Summer by Bergdorf Goodman


 
 

 

 
 

 

 
5F CONTEMPORARY JEWELRY ACCESSORIES BEAUTY GIFTS KIDS

The Recording Academy Statement Re: Lynn Anderson

Lynn Anderson was one of the leading ladies of Nashville in the '70s, a powerful singer born into a family of music makers. "Rose Garden," which earned Lynn the GRAMMY® Award for Best Country Vocal Performance, Female in 1970, remains an indelible hit of its era, and she went on to chart more than 15 top 10 records on the country charts. Her passing is a sad loss for country music, and our condolences go out to her family, friends and fans.

Your AW15 Uniform by #JimmyChoo


Jimmy Choo WOMEN MEN COLLECTIONS

Artspace Magazine: Meet the Meme King of Fast Food, Jailed Rappers, & Dreamy Dolphins


We chowed down on some dollar pizza with the artist behind the "Gucci Mane Commemorative Plates" series to talk about life in the weird recesses of the Internet that he calls home.
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